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Mostrando entradas con la etiqueta 1969. Mostrar todas las entradas
Mostrando entradas con la etiqueta 1969. Mostrar todas las entradas

sábado, 11 de febrero de 2023

Christopher - What`cha Gonna Do (1969) (US) (REP)

Primer disco de esta estupenda banda de texas. Doug Tull (drums), Doug Walden (bass, vocals), and Richard Avitts (guitar, vocals)
.
01. What`cha Gonna Do
02. The Great Clock
03. Holiday
04. Death Song
05. Fugue
06. Modern Day Oracles
07. Day Of Sunshine
.

viernes, 20 de enero de 2023

The Flock - The Flock (1969) (US) (Resubido)


The Flock fue una de las bandas más interesantes de lo que se llamó Jazz Rock, junto con Blood, Sweat & Tears y Chicago. Se formó en Chicago, en 1966, y desapareció definitivamente en 1975.
La banda, en su momento álgido, estaba formada por Jerry Goodman, (violín y guitarra), Fred Glickstein (guitarra y voz), Jerry Smith (bajo), Ron Karpman (batería y percusión), Rick Canoff y Tom Web (saxo y flauta), y Frank Posa (trompeta). Con esta formación, grabaron sus dos discos más interesantes.
La banda se forma en 1966, integrada por Canoff, Glickstein, Smith, Karpman y un segundo guitarrista, Rick Mann. Entre el 66 y el 68, publicaron cuatro singles que consiguieron un cierto éxito en el top 20 del circuito de radios de Chicago. En 1967, por la influencia de bandas como BS&T, incorporaron a Web y Posa, tras una breve estancia del saxofonista John Gerber, para completar su sección de metales.
En 1968, Rick Mann abandona el grupo, y la banda selecciona para suplirlo a un brillante violinista, que también toca la guitarra, Jerry Goodman. El sonido de Goodman, transforma el propio sonido del grupo; además, Goodman introduce conceptos de improvisación colectiva que provienen del free jazz.
Con esta formación, editan su primer álbum, llamado simplemente The Flock (CBS, 1969), que contiene algunas joyas, como Clown o el tema de largo desarrollo Truth, elaborado sobre una estructura de blues. Con el tema Tired of waiting, consiguen entrar en los charts y su presencia en el recopilatorio de CBS, Llena tu cabeza de rock (1970), un disco con grandes ventas en todo el mundo, y cuya portada fue una espectacular foto de Goodman con el violín, les asienta definitivamente en el mercado.

Temas:
01 - introduction
02 - clown
03 - i am the tall tree
04 - tired of waiting
05 - store bought - store thought
06 - truth

Músicos:
Jerry Goodman, (violín y guitarra)
Fred Glickstein (guitarra y voz)
Jerry Smith (bajo)
Ron Karpman (batería y percusión)
Rick Canoff y Tom Web (saxo y flauta)
Frank Posa (trompeta)

domingo, 10 de abril de 2022

Steamhammer - Steamhammer - UK 1969



 

Edición de Bellaphon (En otras ediciones el mismo disco sale con el nombre de Reflections)

BANDA 

Martin Quittenton - guitar

Kieran White - vocals, guitar, harmonica

Martin Pugh - guitar

Steve Davy - bass

Michael Rushton - drums

Guest musician B.B. King played guitar on "You'll Never Know" 

TEMAS 

1. Water (Part One)

2. Junior's Wailing 

3. Lost You Too 

4. She Is The Fire 

5. You'll Never Know 

6. Even The Clock 

7. Down The Highway 

8. On Your Road 

9. Twenty-Four Hours 

10. When All Your Friends Are Gone 

11. Water (Part 2) 

👍

lunes, 10 de enero de 2022

The Flock - The Flock (1969) (US)


The Flock fue una de las bandas más interesantes de lo que se llamó Jazz Rock, junto con Blood, Sweat & Tears y Chicago. Se formó en Chicago, en 1966, y desapareció definitivamente en 1975.
La banda, en su momento álgido, estaba formada por Jerry Goodman, (violín y guitarra), Fred Glickstein (guitarra y voz), Jerry Smith (bajo), Ron Karpman (batería y percusión), Rick Canoff y Tom Web (saxo y flauta), y Frank Posa (trompeta). Con esta formación, grabaron sus dos discos más interesantes.
La banda se forma en 1966, integrada por Canoff, Glickstein, Smith, Karpman y un segundo guitarrista, Rick Mann. Entre el 66 y el 68, publicaron cuatro singles que consiguieron un cierto éxito en el top 20 del circuito de radios de Chicago. En 1967, por la influencia de bandas como BS&T, incorporaron a Web y Posa, tras una breve estancia del saxofonista John Gerber, para completar su sección de metales.
En 1968, Rick Mann abandona el grupo, y la banda selecciona para suplirlo a un brillante violinista, que también toca la guitarra, Jerry Goodman. El sonido de Goodman, transforma el propio sonido del grupo; además, Goodman introduce conceptos de improvisación colectiva que provienen del free jazz.
Con esta formación, editan su primer álbum, llamado simplemente The Flock (CBS, 1969), que contiene algunas joyas, como Clown o el tema de largo desarrollo Truth, elaborado sobre una estructura de blues. Con el tema Tired of waiting, consiguen entrar en los charts y su presencia en el recopilatorio de CBS, Llena tu cabeza de rock (1970), un disco con grandes ventas en todo el mundo, y cuya portada fue una espectacular foto de Goodman con el violín, les asienta definitivamente en el mercado.

Temas:
01 - introduction
02 - clown
03 - i am the tall tree
04 - tired of waiting
05 - store bought - store thought
06 - truth

Músicos:
Jerry Goodman, (violín y guitarra)
Fred Glickstein (guitarra y voz)
Jerry Smith (bajo)
Ron Karpman (batería y percusión)
Rick Canoff y Tom Web (saxo y flauta)
Frank Posa (trompeta)

sábado, 22 de mayo de 2021

Joe Cocker - With A Little Help From My Friends (UK) 1969





Los dos primeros álbumes de Joe Cocker
 "With A Little Help From My Friends" (1969) y "Joe Cocker!" (1969 EE. UU., 1970 Reino Unido)
son dos títulos absolutos. Su álbum debut también estuvo adornado con grandes amigos de la época
como Jimmy Page de Zeppelin y Steve Winwood de Traffic. 

1. Feeling Alright
2. Bye Bye Blackbird
3. Change In Louise
4. Marjorine
5. Just Like A Woman
6. Do I Still Figure In Your Life?
7. Sandpaper Cadillac
8. Don't Let Me Be Misunderstood
9. With A Little Help From My Friends
10. I Shall Be Released


INVITADOS:
JIMMY PAGE plays Guitar on "Bye Bye Blackbird" (Solo), "Marjorine", "Just Like A Woman", "Sandpaper Cadillac" and "With A Little Help From My Friends"
STEVE WINWOOD plays Organ on "Do You Still Figure In My Life?" and "I Shall Be Released"
TONY VISCONTI plays Guitar on "Bye Bye Blackbird"
HENRY McCULLOUGH plays Guitar on "Change In Louise", "Do You Still Figure In My Life?", "Don't Let Me Be Misunderstood" and "I Shall Be Released"
ALBERT LEE plays Guitar on "Marjorine" and on both of the B-sides "The New Age Of Lily" and "Something's Coming On"
DAVID COHEN plays Guitar on "Feeling Alright"
TOMMY EYRE plays Piano on "Just Like A Woman" and "Don't Let Me Be Misunderstood" and Organ on "With A Little Help From My Friends"
ARTIE BUTLER plays Piano on "Feeling Alright"
CHRIS STAINTON plays Bass only on "Just Like A Woman", "Do You Still Figure In My Life?", "Don't Let Me Be Misunderstood", "With A Little Help From My Friends" and "I Shall Be Released"
CHRIS STAINTON plays Bass and Piano on "Change In Louise", "Marjorine" and "Something's Coming On"
CHRIS STAINTON plays Bass, Piano and Organ on "Bye Bye Blackbird", "Sandpaper Cadillac" and "The New Age Of Lily"
MATTHEW FISHER (of Procol Harum) plays Organ on "Just Like A Woman"
PAUL HUMPHRIES, CLEM CATTINI, MIKE KELLIE, B.J. WILSON and KENNY SLADE plays Drums on varying tracks
BRENDA HOLLOWAY, MERRY CLAYTON and PATRICE HOLLOWAY sing Backing Vocals on "Feeling Alright"
MADELEINE BELL, SUNNY WEETMAN and ROSETTA HIGHTOWER sing Backing Vocals on "Bye Bye Blackbird" and "With A Little Help From My Friends"
MADELEINE BELL, SU and SUNNY WEETMAN sing backing Vocals on "Do I Still Figure In Your Life?"
SU and SUNNY WEETMAN sing Backing Vocals on "Change In Louise"



ESCUCHAR 👂


martes, 4 de mayo de 2021

Hardin & York - 1969 - Tomorrow Today (UK)


 



1969: Tomorrow Today


1. Tomorrow Today (Hardin)

2. 100 Years From Now (Hardin)

3. I´m Lost (Hardin/Davis)

4. Drinking My Wine (Hardin)

5. Candlelight (Hardin)

6. Beautiful Day (Hardin)

7. Mountains Of Sand (Hardin/York)

8. Can´t Keep A Good Man Down (Hardin)

9. Listen Everyone (Hardin)


Produced by MIke Hurst

Eddie Hardin (keyb, voc), Pete York (drums, perc)

+ Herbie Flowers (b), Vic Flick (g), Mike Hurst (g), 

Mel Thorpe (tromb, flute), Rex Morrisey (sax), Ron Hills (cornet)


👍


jueves, 15 de septiembre de 2011

Little Free Rock - Little Free Rock (1969) (UK)




Here is all you wanted to know about this Heavy Rock Trio from Preston in Lancashire, England. Peter Illingworth, Lead Guitar and Vocals, Paul Varley, Drums and Frank Newbold, Bass Guitar and Vocals.

Their Eponymous Album was released in November 1969, and they were an evolution of Purple Haze whose psychedelic nuances created great interest from their conception in early 1968. Purple Haze were a highly respected three piece outfit formed originally performing covers of songs from bands like The Who, Creation, Tomorrow etc but quickly developing a style and presentation of their own. To avoid association with Jimi Hendrix's Purple Haze, the name was changed to Little Free Rock from the meaning of their names. Paul means 'Little', Frank means 'Free' and Peter the 'Rock'.

Little Free Rock went on to work with Ginger Johnson's African Drummers, whose appearance with the Rolling Stones at the 1969 Hyde Park Concert in Sympathy for the Devil has created much interest. Drummers who appeared from time to to included Gaspar Lawal (Ginger Baker's Airforce), Remi Salaka (Rolling Stones), Speedy Aquay (Georgie Fame and the Blue Flames), Lofty and Mac Tonto (Osibisa), and 'Lord' Eric Carboo. On one occasion at the Chalk Farm Roundhouse there were 26 African Drummers and a Witchdoctor.

The band performed regularly at the Roundhouse Sunday Night 'Implosion' Events and had numerous residencies at the Wardour Street Marquee Club. As well as performing all over Belgium, Continental Trips included the Star Club in Hamburg, Essen Jazz and Blues Festival, and festivals in Frankfurt, San Tropez and Santa Margarita de la Costa in Italy.

CBS and Warner Brothers were becoming exceedingly interested in this new Afro Rock but only six weeks after the release on the LFR Album, Transatlantic started Breach of Contract proceedings. When CBS and Warner Brothers heard this they backed off, however, CBS said that the band was too much like Santana, whom they already represented. Unfortunately, LFR were then unable to record for Transatlantic or anyone else for that matter, which was sad as the original Contract was for 6 Albums over a three year period.

Peter Green (Fleetwood Mac) joined the band for a short period, with gigs arranged at The Marquee and The Lyceum, and invited LFR to perform on sessions for his Solo Album. Sadly, after only one gig at a club called The Night Angel Club in Soho, Peter decided that he was having too much hassle with Ginger Johnson about fees for the recording and he backed out. The tracks were never released.

The Little Free Rock Album which was released in late 1969 and has also been released on CD by LINE Records in Hamburg. CD Number TACD 9.00633. Another CD has been release featuring demos and other unreleased tracks, some which were recorded at the transition point from Purple Haze to Little Free Rock, however they are credited to the latter. They are available on the Little Free Rock ‘Time is of no Consequence’ CD on World Wide Records, a division of SPM (Berlin). CD Number SPM-WWR-CD-0020.

The Little Free Rock Story by Peter Illingworth

Our band Purple Haze had reached a crossroads in our career, and we had gone about as far as we could go in Lancashire.

A girlfriend of mine, Linda Taylor, had a book on the meaning of names. She told me that Paul meant ‘Little’, Frank meant ‘Free’ and Peter meant ‘Rock’, so that’s how the new name came about. It also symbolised the kind of Free Rock Music that we were creating. I suppose the 'Little' portion suggested humility and for all that, we were kind-of humble. It's difficult to keep your feet on the ground when everything is going fantastically. For me also the name sounded like a Red Indian name, so, with all the imagery that that suggested we became Little Free Rock.

We had beginnings and ends to songs, whether they were our songs or other peoples, but what happened in the middle was a different nightly experience, so we were inventing and experimenting every time we played. It was fun. Obviously sometimes better than others, but only ourselves would really know that I guess.

Frank and I had been doing some writing and between us we got together about five new songs and soon to be Manager Eddie Sandham booked a cheap Demo Studio at Hendon for about £10 an hour. The tracks were Roman Summer Nights, Wait a While, Blud, Dream and Evil Woman. The engineer was rather heavy on the echo, but in retrospect, I like these better than the versions on the actual Little Free Rock Album which was released in late 1969. These tracks now appear on the Little Free Rock ‘Time is of no Consequence’ CD on World Wide Records, a division of SPM (Berlin). CD Number SPM-WWR-CD-0020. The CD features demos and other unreleased tracks and were recorded at the transition point from Purple Haze to Little Free Rock, however they are credited to the latter. The original Little Free Rock Album has also been released on CD by LINE Records in Hamburg. CD Number TACD 9.00633.

We had a gig at the prestigious Preston Public Hall which is now sadly closed forever, and we were surrounded by everyone who was anyone on the scene in Preston. It had been a momentous night with the lights and explosions and a fantastic atmosphere. I think it was at this gig that Eddie announced that Transatlantic had listened to our demos, were interested in us and wanted to come and see us playing live. It was a case of do or die! Now or Never!!! We'd gone about as far as we could in Lancashire anyway!

As we always enjoyed our Connah’s Quay Civic Hall Gigs we invited them to see us there, and Transatlantic's A&R Man, John Whitehead and Keith Bleasby the Distribution Manager duly came to see us perform, and offered us a Recording Contact!

Go To Little Free Rock Part I by Peter Illingworth


http://www.illingworth70.freeserve.co.uk/



01 Roman Summer Nights
02 Lost Lonely
03 Blud
04 Castles In The Sky
05 Dream
06 Tingle
07 Evil Woman
08 Age Of Chivalry
09 Making Time


Contraseña: sam1957


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sábado, 3 de septiembre de 2011

Little Free Rock - Time Is Of No Consequence (1969-71) (UK)



1 Little Free Rock - Money On Your Mind 4:19
Written-By - Peter Illingworth
2 Little Free Rock - Evil Woman 4:33
Written-By - Frank Newbold , Peter Illingworth
3 Little Free Rock - Time Is Of No Consequence 5:08
Written-By - Peter Illingworth
4 Little Free Rock - Tiego 4:13
Written-By - Peter Illingworth
5 Little Free Rock - Talking To The Trees 3:45
Written-By - Peter Illingworth
6 Little Free Rock - Big Bird 4:00
Written-By - Peter Illingworth
7 Little Free Rock - Money On Your Mind 4:37
Written-By - Peter Illingworth
8 Little Free Rock - Evil Woman 4:33
Written-By - Frank Newbold , Peter Illingworth
9 Little Free Rock - Time Is Of No Consequence (No Vocals) 5:07
Written-By - Peter Illingworth
10 Purple Haze (4) - Roman Sumer Nights 2:32
Written-By - Frank Newbold
11 Purple Haze (4) - Wait A While 2:17
Written-By - Peter Illingworth
12 Purple Haze (4) - Blud 3:50
Written-By - Peter Illingworth
13 Purple Haze (4) - Dream 2:24
Written-By - Frank Newbold
14 Purple Haze (4) - Evil Woman 2:47
Written-By - Frank Newbold , Peter Illingworth



Bass - Frank Newbold (tracks: 10 to 14) , John Taylor (17) (tracks: 1 to 9)
Drums - Paul Varley
Guitar - Peter Illingworth
Percussion - Eric Carboo (tracks: 1 to 9)

Contraseña: sam1957


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